Sports / Entertainment

When was the last time we’ve seen a serious Christmas movie? Not a genre film, like Hallmark’s standards or re-runs of animated Rankin/Bass specials from fifty years ago, nor a drama with a mention of Christmas, like Little Women or Green Book. Rather, a theatrically released, A-list Christmas flick. This year, Oscar-nominated filmmaker, Alexander Payne (Sideways, Election, Nebraska) and beloved actor, Paul Giamatti have both gifted us a sharp, bittersweet comedy-drama that rings in laughs and tears in bulk; The Holdovers. Set in 1970 at Barton, a fictional boarding school

Lately, there have been quite a few headlines in major entertainment publications signaling a phenomenon that, just a few years ago, would’ve seemed unimaginable. The gist of those headlines is that superhero movies are losing money. It’s true. Marvel Studios’ newest release, the Brie Larson-led Marvels, (a sequel to 2019’s Captain Marvel) is expected to gross $60 Million on its opening weekend. Its predecessor earned a whopping $154 Million after its premiere. This comes after another box office flop for the studio, Ant Man & The Wasp: Quantumania. D.C. Studios

No, it’s not too long. Martin Scorsese’s newest epic, Killers of the Flower Moon, stimulates the senses, shocks our complacencies, and uncovers a world of treachery otherwise unexplored in the general American culture, all while reminding us of the inherent power of the picture. The film opens in 1920’s Oklahoma; the small town of Fairfax, to be exact. In Fairfax, the Osage Indian tribe are the wealthiest people per capita in the entire world, due to federal subsidies in exchange for the copious amounts of oil hidden beneath their tribal